• Q: How much freedom do you get with the bass parts?
  • Sean Hurley: I’m giving the parts my translation, but the original is still my intent. However, John definitely leaves it up to the player. Before we hit the stage he’ll say something like, “Play without fear” or “Take chances and make some mistakes” or “Do your thing, play what you’re feeling.”
Album Art

purestpartofme:

Among other things, I’m happy JM fans in attendance at this Berklee Master Class respected John’s wishes to not tape or, at least, reveal this song until his record is released. Pretty amazing that everyone kept this promise and it hasn’t surfaced in over a year!

alanwallis:

John Mayer
Walt Grace’s Submarine Test, January 1967 (Commentary Teaser)
2011-03-11: Berklee College of Music Master Class


Around this time last year, I was lucky enough to be a part of John Mayer’s master class at Berklee College of Music which took place after his clinic at the BPC. In the first hour of the class, he mentioned that he was writing a song called “Submarine Test, 1961.” At the end of the night, when he was trying to decide what new songs to play for us, I blurted out, “What about the submarine one?” like a jackass. In retrospect, I’m extremely glad I did.

John said, “I want the first time people hear it to be on the record,” so I’m only posting his commentary before/after the song and I’m not going to post the actual tune. It’s hands down the best song that I’ve heard so far from Born and Raised, and it’ll be worth the wait. Hopefully this little snippet will generate some more buzz for the album which is scheduled to be released on May 22nd.

A twelve string??? I recognize those chords. Can’t say which they are exactly but that sound…

ArtistJohn Mayer
TitleWalt Grace's Submarine Test, January 1967 (Commentary Teaser, Live at Berklee College of Music Master Class, March 11, 2011)
Album2011-03-11: Berklee Master Class
Looks like prayer. Since so many people see these, crediting the original content source should be a priority. It only takes an extra thirty seconds at most. This goes for anyone doing edits. Seems like the Mayer way, no? Then again musicians sample all the time but maybe they should credit their reference for a particular song as well if it’s a conscious arrangement.

Looks like prayer. Since so many people see these, crediting the original content source should be a priority. It only takes an extra thirty seconds at most. This goes for anyone doing edits. Seems like the Mayer way, no? Then again musicians sample all the time but maybe they should credit their reference for a particular song as well if it’s a conscious arrangement.

(via cemawe)